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The Historical study and gradual change of Art with the emphasis on theory of End of Art in Hegel's Thought | ||
| مجله پژوهش های فلسفی | ||
| مقاله 22، دوره 14، شماره 32، 1399، صفحه 303-315 اصل مقاله (518.77 K) | ||
| نوع مقاله: مقاله علمی- پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22034/jpiut.2020.8028 | ||
| نویسندگان | ||
| علی شکرخوار* 1؛ اسماعیل بنی اردلان* 2 | ||
| 1دانشجوی دکتری، گروه فلسفه هنر، دانشگاه آزاد اسلامی، واحد شاهرود، ایران | ||
| 2استادیار دانشگاه هنر، تهران، ایران | ||
| چکیده | ||
| In Hegel's view art is not just an artistic creation. Art is an introduction to liberation. Today, Hegel's philosophy is a substitute for many challenging issues, and also an obsolete for past points, Hegel interprets works of art with key elements of his philosophy such as "absolute", "freedom" and "consciousness." Hegel divides the history of the transformation of art into three periods of symbolic, classical, and romanticism. But Hegel also mentions classical architecture and romantic architecture, which in fact transforms architecture into an artistic service which come from other types and are not considered independent. This paper examines art and architecture in Hegelian thought and explains the types of art and architecture and their meanings in the eyes of this philosopher. Absolutely undergoes three steps in the process of self-consciousness-art, religion, and philosophy. Art, as the first step of this Trinity, brings absolute liberty directly into the sensible thing. This is a logical necessity and opens the way for ultimate self-awareness of the soul. Hence, epistemic beauty is worthwhile. This view towards beauty or a beautiful issue is an epistemological phenomenon and unmatched in the history of philosophy. The beauty of value is equal to consciousness. Or at least as a prerequisite for knowledge. | ||
| کلیدواژهها | ||
| Absolute؛ Beauty؛ Dialectic؛ Philosophy؛ Art؛ Hegel | ||
| مراجع | ||
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- Inwood, Michael (2005) Hegel, in the Aesthetic Encyclopedia, edited by Bricegat and Dominic McEvier Lewis, Translator Group, Art Academy, Tehran, 1st. - Singer, Peter (2008) Hegel, Ezatollah Fooladvand, New Design, {in Persian} - Zia Shahabi, Parviz.( 2003) "Hegel's philosophy of art" in Culture Letter. Winter 2003. No. 50 {in Persian} - Copelston, Frederick (1367) History of Philosophy, Volume 7 (from Fiesta to Nietzsche), Dariush Ashuri, Academic Culture and Soroush. {in Persian} - Corner, Stefan (1380) Kant's Philosophy, Ezatollah Fooladvand, Khwarazmi II - Monroe. Bigdisley and Johns Hoppers. 1376. History and Issues of Aesthetics, Translated by Mohammad Saeed Hanaei Kashani, Tehran: Hermes Publishing, - Hegel GVF (1389) Phenomenology of Mind Baqir Parham research. Tehran. {in Persian} - Hegel, G.W.F, Aesthetics, Lectures on Fine Art, Translated by T. M. Knox, Volume II, Oxford University Press I975. - H.G gadamer.truth and method(new York:seabury,1990) - Houlgate Stephen, "Hegel's Aesthetics". Stanford Encyclopedia of philosophy, First published Tue Jan 20, 2009; substantive revision Tue Dec 15, 2009; http://plato.stanford.edu/entries/hegel-aesthetics/> (Houlgate < plato.stanford.edu>) - Houlgate Stephen, Hegel's Aesthetics; Stanford Encyclopedia of philosophy, First published Tue Jan 20, 2009; substantive revision Tue Dec 15, 2009; < http://plato.stanford.edu/entries/hegel-aesthetics/> (Houlgate < plato.stanford.edu&;gt;) . | ||
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