آمار
| تعداد نشریات | 45 |
| تعداد شمارهها | 1,477 |
| تعداد مقالات | 18,019 |
| تعداد مشاهده مقاله | 58,372,457 |
| تعداد دریافت فایل اصل مقاله | 19,803,849 |
Beckett’s Film: Perceiving Deleuze’s Time Film through Stiegler’s Negentropic Film | ||
| مجله پژوهش های فلسفی | ||
| دوره 20، شماره 54، بهمن 1404، صفحه 439-462 اصل مقاله (2.48 M) | ||
| نوع مقاله: مقاله علمی- پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22034/jpiut.2025.69370.4228 | ||
| نویسندگان | ||
| هنگامه خرازی1؛ شهریار منصوری* 2؛ کیان سهیل3 | ||
| 1دانشجوی دکتری، گروه زبان و ادبیات انگلیسی، دانشگاه شهید بهشتی، تهران، ایران. | ||
| 2دانشیار ادبیات ایرلندی معاصر، دانشگاه شهید بهشتی، تهران، ایران. | ||
| 3استادیار گروه زبان و ادبیات انگلیسی، دانشگاه شهید بهشتی، تهران، ایران. | ||
| چکیده | ||
| Gilles Deleuze argues that in Samuel Beckett’s Film the perception of self by self, though agonizing, opens onto a promising vision: for one confined to the personal reduction of life, it discloses a transcendental expansion of LIFE. In cinematic perception, this transformation marks the shift from the classical cinema of movement, where protagonists made films, to a modern cinema of time, where the camera becomes the protagonist, inviting actors, like the audience, to watch the film enriched by its transcendental perspective. This article shows what appears in Deleuzian time-cinema as a proliferation of life, by sustaining the audience’s belief in transcendental time as a horizon of perpetually emerging life-events, is, in fact, an entropic eventization of the audience’s memory, a process that, according to Bernard Stiegler, entails the loss of savoir-faire. Thus, the revelatory shock-images in Beckett’s Film signify an entropic loss of memory’s ground, becoming pathological shocks that require therapeutic care and invention of new life-therapies, anticipating a negentropic reinvention of time the transcendental camera must watch and read its film from. Here, E is seen as a therapeutic camera, healed out of transcendental time through O’s analysing the pharmacological shock. | ||
| کلیدواژهها | ||
| Beckett؛ Deleuze؛ Stiegler؛ Transcendental Camera؛ Therapeutic Camera | ||
| مراجع | ||
|
Ansell-Pearson, K. (1999). Germinal Life: The Difference and Repetition of Deleuze. Routledge. https://doi.org/10.4324/9780203005743 Beckett, S. (1984). Collected Shorter Plays. Grove Press. Bell, J. A. (2016). Deleuze and Guattari’s What is Philosophy? A Critical Introduction and Guide. Edinburgh University Press. https://doi.org/10.1515/9780748692545 Bradley, J. P. N. (2024). Critical Essays on Bernard Stiegler: Philosophy, Technology, Education. Cambridge Scholars Publishing. Bryant, L. R. (2008). Difference and Givenness: Deleuze’s Transcendental Empiricism and the Ontology of Immanence. Northwestern University Press, https://doi.org/10.1080/23269995.2010.10707849. Colebrook, C. (2019). Epigenesis and the Outside. In M. J. Bennett & T. S. Posteraro (Eds.), Deleuze and Evolutionary theory. Edinburgh University Press. https://doi.org/10.1515/9781474430517-010 Crogan, P. (2014). Stiegler’s Post-Phenomenological Account of Mediated Experience. In A. van den Oever (Ed.), Technē/Technology: Researching Cinema and Media Technologies—Their Development, Use, and Impact (pp. 81–92). Amsterdam University Press. https://doi.org/10.25969/mediarep/13699 Cross, D. J. S. (2021). Deleuze and the Problem of Affect. Edinburgh University Press. https://doi.org/10.3366/edinburgh/9781474485548.001.0001 Deleuze, G. (1986). Cinema 1: The Movement-Image (H. Tomlinson & B. Habberjam, Trans.). University of Minnesota Press. Deleuze, G. (1989). Cinema 2: The Time-Image (H. Tomlinson & R. Galeta, Trans.). University of Minnesota Press. Deleuze, G. (1991). Bergsonism (H. Tomlinson & B. Habberjam, Trans.). Zone Books. Deleuze, G. (1994a). Difference and Repetition (P. Patton, Trans.). Columbia University Press. Deleuze, G. (1997). Essays: Critical and Clinical (D. W. Smith & M. A. Greco, Trans.). University of Minnesota Press. Deleuze, G., & Guattari, F. (1994b). What is Philosophy? (H. Tomlinson & G. Burchell, Trans.). Columbia University Press. Howells, C. & Moore, G. (2013). Introduction: Philosophy – The Repression of Technics. In Stiegler and Technics (pp. 1-14). Edinburgh: Edinburgh University Press. https://doi.org/10.1515/9780748677030-003 Kennedy, B. M. (2000). Deleuze and Cinema: The Aesthetics of Sensation. Edinburgh University Press. https://doi.org/10.3366/edinburgh/9780748611348.001.0001 Lindberg, S. (2024). Blockbusters and the Arthouse Cinema of Consciousness: Bernard Stiegler and the Question of Cinema. Philosophy Today, 68(3), 455–477. https://doi.org/10.5840/philtoday202472534 Moore, G. (2013). Adapt and Smile or Die! Stiegler Among the Darwinists. In C. Howells & G. Moore (Eds.), Stiegler and Technics. Edinburgh University Press. https://doi.org/10.3366/edinburgh/9780748643215.003.0021 Riley, M. (2008). Disorientation, Duration and Tarkovsky. In I. Buchanan & P. MacCormack (Eds.), Deleuze and the Schizoanalysis of Cinema (52-62). Continuum. https://doi.org/10.5040/9781472546296 Schwab, M. (2000). Escape from the Image: Deleuze’s Image-Ontology. In G. Flaxman (Ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema (pp. 109–139). University of Minnesota Press Stiegler, B. (1998). Technics and Time, 1: The Fault of Epimetheus (R. Beardsworth & G. Collins, Trans.). Stanford University Press. Stiegler, B. (2002). The Discrete Image. In J. Derrida & B. Stiegler, Echographies of Television: Filmed Interviews (J. Bajorek, Trans.). Polity Press. Stiegler, B. (2010). Memory. In W. J. T. Mitchell & M. B. N. Hansen (Eds.), Critical Terms for Media Studies. University of Chicago Press. https://doi.org/10.7208/chicago/9780226532660.001.0001 Stiegler, B. (2011a). Technics and Time, 3: Cinematic Time and the Question of Malaise (S. Barker, Trans.). Stanford University Press. Stiegler, B. (2011b). The Decadence of Industrial Democracies: Disbelief and Discredit (D. Ross & S. Arnold, Trans.; Vol. 1). Polity Press. Stiegler, B. (2013a). What Makes Life Worth Living: On Pharmacology (D. Ross, Trans.). Polity Press. Stiegler, B. (2013b). Uncontrollable Societies of Disaffected Individuals: Disbelief and Discredit, Volume 2 (D. Ross, Trans.). Polity Press. Stiegler, B. (2014a). The Re-Enchantment of the World: The Value of Spirit Against Industrial Populism (T. Arthur, Trans.). Bloomsbury Academic. Stiegler, B. (2014b). Organology of Dreams and Archi-Cinema. The Nordic Journal of Aesthetics, 24(47), 7–37. https://doi.org/10.7146/nja.v24i47.23053 Stiegler, B. (2015). States of Shock: Stupidity and Knowledge in the Twenty-First Century (D. Ross, Trans.). Polity Press. Stiegler, B. (2016). Automatic Society, Volume 1: The Future of Work (D. Ross, Trans.). Polity Press. Stiegler, B. (2018). The Neganthropocene (D. Ross, Ed. & Trans.). Open Humanities Press. Stiegler, B. (2019a). The Age of Disruption: Technology and Madness in Computational Capitalism (D. Ross, Trans.). Polity Press. Stiegler, B. (2019b). Chapter 17. Cinematic Time and the Question of Malaise. In C. Kul-Want (Ed.), Philosophers on Film from Bergson to Badiou: A Critical Reader (pp. 308-327). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/kul-17602-019 Stiegler, B. (2020). Nanjing Lectures 2016–2019 (D. Ross, Ed. & Trans.). Open Humanities Press. (Open access). Thomas, A. J. (2018). Deleuze, Cinema and the Thought of the World. Edinburgh University Press. https://doi.org/10.1515/9781474432818 | ||
|
آمار تعداد مشاهده مقاله: 306 تعداد دریافت فایل اصل مقاله: 48 |
||