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Image, Time, and Photography Based on Heidegger’s Kant and the Problem of Metaphysics | ||
| مجله پژوهش های فلسفی | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 28 فروردین 1402 | ||
| نوع مقاله: مقاله علمی- پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22034/jpiut.2023.47066.2909 | ||
| نویسندگان | ||
| فریده آفرین* 1؛ سید سام غضنفری2 | ||
| 1دانشگاه | ||
| 2دانش آموخته کارشناسی ارشد پژوهش هنر دانشکده هنر دانشگاه سمنان | ||
| چکیده | ||
| In KPM, Heidegger shows how the initial image-making power of the imagination is pictorial in the pure image of time. Three kinds of photographs that resemble the images produced when the transcendental imagination functions as three syntheses are studied in this research. They are established by Kant's description of the images in precritical works' imagery in terms of the types Heidegger mentions in his study. The synthesis of imagination based on the pure images of infinity replaces the three forms of existence. Heidegger further clarifies the recognized link between the syntheses and the time-visualizing power of images. These three modes of existence of Dasein are replaced with the synthesis of imagination based on the pure image concerning infinity. Also, Heidegger explains the established relationship between the syntheses and pictorial formative power of images, which can visualize time. Therefore, we can address the ways to visualize time by considering Dasein with a photographic preoccupation through 1. A possible look in the form of presentation (a photograph shows an immediate look of a house or person as intuitable this-here); 2. An immediate look of the thing, house, or deceased person, as well as a copy or its reproduction as a death mask; and, 3. The manner of contemplation of a likeness is an immediate look of a being present in the form of representation. | ||
| کلیدواژه‌ها | ||
| image؛ time؛ synthesis؛ schema؛ photography | ||
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آمار تعداد مشاهده مقاله: 155 |
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